{"id":6999,"date":"2017-12-11T22:39:27","date_gmt":"2017-12-11T22:39:27","guid":{"rendered":"https:\/\/puntoreflex.cl\/?post_type=product&#038;p=6999"},"modified":"2025-11-06T12:57:35","modified_gmt":"2025-11-06T12:57:35","slug":"rashomon-bluray","status":"publish","type":"product","link":"https:\/\/puntoreflex.cl\/?product=rashomon-bluray","title":{"rendered":"RASHOMON Bluray"},"content":{"rendered":"<p><strong>Nombre Original:\u00a0Rash\u00f4mon<\/strong><\/p>\n<p><strong>Director:\u00a0Akira Kurosawa<\/strong><\/p>\n<p><strong>Reparto:\u00a0<span class=\"cast\">Toshiro Mifune,<\/span>\u00a0<span class=\"cast\">Machiko Kyo,<\/span>\u00a0<span class=\"cast\">Masayuki Mori,<\/span>\u00a0<span class=\"cast\">Takashi Shimura,<\/span>\u00a0<span class=\"cast\">Minoru Chiaki,<\/span><span class=\"cast\">Kichijiro Ueda,<\/span>\u00a0<span class=\"cast\">Noriko Honma,<\/span>\u00a0<span class=\"cast\">Daisuke Kato<\/span><\/strong><\/p>\n<p><strong>A\u00f1o: 1950<\/strong><\/p>\n<p><strong>Duraci\u00f3n: 88 Minutos<\/strong><\/p>\n<p><strong>Audio: JAPONES Dolby Linear PCM 2.0<\/strong><\/p>\n<p><strong>Subt\u00edtulos: Espa\u00f1ol<\/strong><\/p>\n<p><strong>Guion:\u00a0<span class=\"nb\">Akira Kurosawa,<\/span>\u00a0<span class=\"nb\">Shinobu Hashimoto<\/span><\/strong><\/p>\n<p><strong>Productora:\u00a0Daiei<\/strong><\/p>\n<p><strong>Edici\u00f3n: Blu-ray Fansub<\/strong><\/p>\n<p><a href=\"https:\/\/puntoreflex.cl\/wp-content\/uploads\/2017\/09\/logo-webpay.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2785\" src=\"https:\/\/puntoreflex.cl\/wp-content\/uploads\/2017\/09\/logo-webpay.png\" alt=\"\" width=\"492\" height=\"135\" srcset=\"https:\/\/puntoreflex.cl\/wp-content\/uploads\/2017\/09\/logo-webpay.png 492w, https:\/\/puntoreflex.cl\/wp-content\/uploads\/2017\/09\/logo-webpay-64x18.png 64w, https:\/\/puntoreflex.cl\/wp-content\/uploads\/2017\/09\/logo-webpay-300x82.png 300w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Rashomon Trailer (Akira Kurosawa, 1950)\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/xCZ9TguVOIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<dl class=\"margin-top movie-info\">\n<dt><strong>Premios<\/strong><\/dt>\n<dd class=\"award\">\n<div class=\"margin-bottom\"><strong>1952: Nominada al Oscar: Mejor direcci\u00f3n art\u00edstica (Blanco &amp; Negro)<\/strong><\/div>\n<div class=\"margin-bottom\"><strong>1952: Premios BAFTA: Nominada a mejor pel\u00edcula<\/strong><\/div>\n<div class=\"margin-bottom\"><strong>1952: Sindicato de Directores (DGA): Nominada a Mejor director<\/strong><\/div>\n<div class=\"margin-bottom\"><strong>1951: Oscar honor\u00edfico a la mejor pel\u00edcula extranjera<\/strong><\/div>\n<div class=\"margin-bottom\"><strong>1951: Festival de Venecia: Le\u00f3n de Oro<\/strong><\/div>\n<div class=\"margin-bottom\"><strong>1951: C\u00edrculo de cr\u00edticos de Nueva York: Nominada a Mejor pel\u00edcula extranjera<\/strong><\/div>\n<div class=\"hidden-awards margin-bottom\"><strong>1951: National Board of Review: Mejor director y pel\u00edcula de habla no inglesa<\/strong><\/div>\n<\/dd>\n<\/dl>\n<dl class=\"margin-top movie-info\">\n<dt><strong>Cr\u00edticas<\/strong><\/dt>\n<dd>\n<ul id=\"pro-reviews\">\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abLa primera obra maestra de Kurosawa, de un poder sobrecogedor\u00bb<\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Javier Rioyo: Cineman\u00eda\u00a0<i class=\"fa fa-circle pos\" title=\"tendencia de la cr\u00edtica: positiva\"><\/i><\/strong><\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abM\u00edtica cinta que contribuy\u00f3 decisivamente a la apertura internacional del cine japon\u00e9s. Con su innata habilidad narrativa y su magia cinematogr\u00e1fica, el m\u00edtico cineasta viaja al Jap\u00f3n del siglo XII para realizar una pesimista radiograf\u00eda de la condici\u00f3n humana\u00bb<\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Fernando Morales: Diario El Pa\u00eds\u00a0<i class=\"fa fa-circle pos\" title=\"tendencia de la cr\u00edtica: positiva\"><\/i><\/strong><\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abLa genialidad de &#8216;Rashomon&#8217; es que todos los flashbacks son verdaderos y falsos (&#8230;) El verdadero regalo de &#8216;Rashomon&#8217; est\u00e1 en sus emociones y en su aspecto visual (\u2026) Puntuaci\u00f3n: \u2605\u2605\u2605\u2605 (sobre 4)\u00bb\u00a0<i class=\"fa fa-external-link\"><\/i><\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Roger Ebert: rogerebert.com\u00a0<i class=\"fa fa-circle pos\" title=\"tendencia de la cr\u00edtica: positiva\"><\/i><\/strong><\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abLa obra maestra de 1950 de Akira Kurosawa es una disecci\u00f3n escalofriante y absolutamente memorable de la naturaleza de la comunicaci\u00f3n humana (\u2026) Puntuaci\u00f3n: \u2605\u2605\u2605\u2605\u2605 (sobre 5)\u00bb\u00a0<i class=\"fa fa-external-link\"><\/i><\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Peter Bradshaw: The Guardian\u00a0<i class=\"fa fa-circle pos\" title=\"tendencia de la cr\u00edtica: positiva\"><\/i><\/strong><\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abUn logro art\u00edstico de car\u00e1cter tan distinto y ex\u00f3tico que resulta dif\u00edcil valorarlo en relaci\u00f3n con pel\u00edculas con historias convencionales.\u00bb\u00a0<i class=\"fa fa-external-link\"><\/i><\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bosley Crowther: The New York Times\u00a0<i class=\"fa fa-circle pos\" title=\"tendencia de la cr\u00edtica: positiva\"><\/i><\/strong><\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abLos aficionados al cine deber\u00edan amarla. Pero tambi\u00e9n cualquiera al que le guste una buena historia o dos (o tres o cuatro)\u00bb\u00a0<i class=\"fa fa-external-link\"><\/i><\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Michael O\u2019Sullivan: The Washington Post\u00a0<i class=\"fa fa-circle pos\" title=\"tendencia de la cr\u00edtica: positiva\"><\/i><\/strong><\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"pro-review\">\n<div><strong>\u00abLo que Akira Kurosawa y su peque\u00f1o equipo de producci\u00f3n crearon est\u00e1 ahora aceptado como una m\u00e1xima de la vida moderna, una creencia por la que vivir en un mundo donde cualquiera tiene un blog y una opini\u00f3n.\u00bb\u00a0<i class=\"fa fa-external-link\"><\/i><\/strong><\/div>\n<div class=\"pro-crit-med\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ty Burr: Boston Globe\u00a0<\/strong><\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/dd>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"<p><strong>Jap\u00f3n, siglo XII. En Kioto, bajo las puertas del derruido templo de Rashomon, se guarecen de la torrencial lluvia un le\u00f1ador, un sacerdote budista y un peregrino. Los tres discuten sobre el juicio a un bandido, acusado de haber dado muerte a un se\u00f1or feudal y violado a su esposa. Los detalles del crimen son narrados desde el punto de vista del bandido, de la mujer, del se\u00f1or feudal con la ayuda de un m\u00e9dium- y del le\u00f1ador, \u00fanico testigo de los hechos.<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":7000,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[346,348],"product_tag":[3527,1020,3492,1937,2038,3719,3710,3718,3490,3720,1019,3626,3489,3472],"class_list":["post-6999","product","type-product","status-publish","has-post-thumbnail","product_cat-blu-ray","product_cat-cineoriental","product_tag-akira-kurosawa","product_tag-chambara","product_tag-daisuke-kato","product_tag-drama","product_tag-japanese-movie","product_tag-kichijiro-ueda","product_tag-machiko-kyo","product_tag-masayuki-mori","product_tag-minoru-chiaki","product_tag-noriko-honma","product_tag-samurai","product_tag-shinobu-hashimoto","product_tag-takashi-shimura","product_tag-toshiro-mifune","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=\/wp\/v2\/product\/6999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=\/wp\/v2\/product"}],"about":[{"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=\/wp\/v2\/media\/7000"}],"wp:attachment":[{"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6999"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_brand&post=6999"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_cat&post=6999"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/puntoreflex.cl\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_tag&post=6999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}